冰刀

1. 《冰刀》是哪年上映的？

该片由翁贝托·伦齐执导，1972年上映。作为其它恐怖片的里程碑作品，当年票房位列前三。卡罗尔·贝克,艾伦·斯科特凭借出色表演奠定影坛地位，其塑造的角色至今被观众津津乐道。导演翁贝托·伦齐也通过此片回应了质疑，形成了独特风格。影片在国际广受好评，常被与80年代好莱坞经典相提并论。

2. 这部恐怖片开山作是翁贝托·伦齐的巅峰吗？

自翁贝托·伦齐凭此片斩获最佳导演奖后，该作便被视作其艺术高峰。即便后续有新作问世，本片仍被公认是其最具代表性的恐怖片创作。

3. 《冰刀》为何能成为经典？

在其它恐怖片史上，本片占据重要地位。翁贝托·伦齐执导、卡罗尔·贝克,艾伦·斯科特主演的这部作品，当年如黑马般创下票房佳绩。有趣的是，主创团队最初也未料到能收获如此反响。翁贝托·伦齐曾透露，这是一群经历低谷的电影人共同的心血——主演卡罗尔·贝克,艾伦·斯科特当时已四年无戏可拍，团队此前作品反响平平。正是这种逆境激发了创作火花，影片中人物的命运起伏，恰似创作者们现实境遇的投射。凭着这份坚持，他们最终完成了这部影史经典，实现了自我突破。

4. 如何评价《冰刀》？

影片口碑上佳，备受喜爱，上映后好评不断。这既得益于卡罗尔·贝克,艾伦·斯科特的精彩表演，也源于恐怖片剧情本身的紧凑张力。在58影院（www.ouman-tech.com）观看体验流畅。虽非收视冠军，但其受欢迎度稳居同类前列。卡罗尔·贝克,艾伦·斯科特的演出可圈可点，获得了广泛认可。

5. 《冰刀》简介

这部由翁贝托·伦齐执导的经典恐怖其它片，讲述了：This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also。更多好剧推荐，欢迎收藏本站www.ouman-tech.com，一站式影视资源库，精彩随时看。

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.